Satellite imagery transformed into contemporary fine art.
A long-term visual project exploring the Earth as image, territory, and abstraction.
The Story
Ultradistancia is a long-term satellite fine art project created in 2015. For more than a decade, I have transformed high-resolution images of the Earth into large-scale photographic artworks, revealing patterns, geometries, colors, and territories that are often invisible from the ground.
The project exists between photography, cartography, painting, and digital craft. It does not use artificial intelligence, a distinction that seems necessary today and would have been almost unimaginable when ULTRADISTANCIA began over a decade ago. Each work is built from real satellite imagery through a precise artistic process that turns the planet’s surface into a field of abstraction, memory, and scale.
The Earth Seen Otherwise
At satellite distance, the world becomes unfamiliar. What we usually understand as territory, infrastructure, or landscape begins to appear as composition: rhythm, surface, color, fracture, repetition, and form.
ULTRADISTANCIA works within that threshold, where geography becomes image and the Earth reveals itself as an immense visual archive. Each work transforms a real place into a contemporary abstraction, without leaving behind its physical and geographic origin.
From Satellite Image to Fine Art
ULTRADISTANCIA is built through a meticulous and long process of composing raw satellite images from different sources, using them not as finished documents but as a visual ground — a canvas where geography becomes material. Over more than a decade, a precise language of digital and artisanal techniques has developed that allows the Earth’s surface to be reinterpreted through geometry, color, scale, and abstraction. In the lineage of XVI map creators the resulting works move from image to object, becoming museum-grade pieces produced in multiple formats: archival fine art prints, wood and acrylic framed editions, videos, murals, textiles and custom site-specific installations.
The Series
ULTRADISTANCIA unfolds through a group of interconnected series, each one exploring a different way in which the Earth becomes image: industry, agriculture, cities, infrastructures, travel, and memory. Together, they form a visual archive of human and natural geographies seen from a new distance.
MINAS RIO - Minas Gerais, Brazil - Ultradistancia Black Mines Series, 2023
AKTOGAY - Abay, Kazakhstan - Ultradistancia Color Mines Series, 2024
MINES
The monumental beauty and tension of mining landscapes, transformed into satellite-based fine art.
BRASILIA - Brasilia, Brazil - Ultradistancia Cities Series, 2015
MANHATTAN II - New York, USA - Ultradistancia Cities Series, 2019
CITIES
Urban territories seen as complex systems of circulation, architecture, and density.
REESE - Michigan, USA - Ultradistancia Fields Series, 2026
KASHIMA - Saga, Japan - Ultradistancia Fields Series, 2026
FIELDS
Agriculture seen from above as geometry, rhythm, and human order inscribed on the land.
HEATHROW AIR (LHR) - London, UK. - Ultradistancia Airports Series, 2021
DENVER AIR (DEN) - Colorado, USA. - Ultradistancia Airports Series, 2021
AIRPORTS
Aviation infrastructures reinterpreted as compositions of movement, direction, and engineered space.
FIRE ISLAND - New York, USA. - Ultradistancia Voyager Series, 2016
CATUTI II - Minas Gerais, Brazil - Ultradistancia Selected Series, 2017
CLASSIC
The Foundational Series from the project, included in Google Earth, where satellite vision first became a way to travel without movement.
The Journey
ULTRADISTANCIA has been featured by international media, cultural platforms, architecture publications, and technology outlets including The Guardian, Bloomberg, ArchDaily, LensCulture, Gizmodo, Designboom, HuffPost, Corriere della Sera, Wired, Forbes, Repubblica and Time Magazine, recognizing its original transformation of satellite imagery into contemporary fine art.
In 2017 was invited by Google to be part of its Google Earth’s Voyager storytelling experience, bringing the project to a global audience through one of the world’s most influential geographic platforms.
Presented in institutional and cultural contexts where satellite imagery, contemporary art, territory, science, and industry converge.
“Argentinian photographer Federico Winer uses Google Earth satellite images to play with the way we see our planet in his long-term project Ultradistancia”
“Federico Winer has taken aerial photography to a new level”
“Ultradistancia is an invitation to discover from above hidden forms from our human perception”
Around the World
Over the past decade, Ultradistancia has been exhibited and presented internationally in galleries, museums, cultural institutions, art fairs, and corporate spaces. From large-scale photographic works to installations, videos, and fine art prints, the project has brought remote landscapes into direct physical encounter with a eclectic variety of people around the world.
Custom Projects
Ultradistancia creates bespoke satellite-based artworks for private collectors, companies, institutions, headquarters, public spaces, exhibitions, and special projects. Each commission begins with a specific location and becomes a museum-grade artwork developed through the project’s visual language.
About the Artist
Federico Winer is an Argentine visual artist, photographer, producer, and professor at the University of Buenos Aires. His work explores the visual, political, and technological dimensions of territory, transforming satellite imagery into contemporary fine art. Through Ultradistancia, he has developed a unique body of work at the intersection of image, geography, abstraction, and global culture.
THE EARTH AS CANVAS. WELCOME TO ULTRADISTANCIA
YANACOCHA MINE - Cajamarca, Peru - Ultradistancia Black Mines Series, 2019