Ultradistancia Fields

In ULTRADISTANCIA FIELDS, I work with satellite imagery of agricultural landscapes around the world as if they were vast paintings already inscribed on the surface of the earth. From above, cultivation becomes geometry, repetition becomes rhythm, and territory opens into a language of color, structure, and distance. What interests me is that tension between utility and beauty, between the functional order of the land and its unexpected poetic power.

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Ultradistancia Hartswater by Federico Winer installed above a contemporary sideboard, showing a panoramic satellite artwork of circular irrigation fields in soft pink, turquoise, cream, and red tones.

Hartswater
South Africa’s North West Province

Ultradistancia Hartswater transforms the irrigated agricultural landscape of South Africa’s North West Province into a luminous composition of circles, grids, and chromatic rhythm. From above, the territory becomes a delicate balance of geometry, cultivation, and abstraction.

Reese
Michigan plains in United States

Ultradistancia Reese emerges from the agricultural landscape of Michigan as a quiet geometry of cultivation, light, and distance